2011 Christmas Quiz - with answers

Having been accused by all and sundry of making these much too difficult in the past, I have decided to limit this year's to just ten questions. All of them concern writers who either write under different names, or are themselves fictional creations.

1. Who wrote well over 100 books over the course of a long career utilising both his own name and roughly 22 others, including Margeret Cooke  and J.J. Marric? A: John Creasey
2. Which well-known poet wrote detective fiction under a pseudonym, featuring the detective Nigel Strangeways? Both names, please. A: Cecil Day Lewis, Ncholas Blake
3. Who write a number of books in which a female detective writer, once herself put on trial for murder, features as one of the leading characters alongside an aristocratic companion? Author and character, please. A: Dorothy L.Sayers, Harriet Vane
4. The "Alexandria Quartet" features not one but two writers, one of whom acts as the narrator of the first volume. Who is the other, already an established novelist at the time of the story? A: Pursewarden (of course)
5. Who is the real author of "Hermione's Five o'clock chit chat" in "Lucia in London"? A: Stephen Merriall
6. By what name is Eric Blair better known? A: George Orwell
7. Which well-knonw historical writer with an active fan following used her maiden name of Halliday to write detective fiction in the 1960s and 1970s? A: Dorothy Dunnett (Halliday)
8. Under what name did Elizabeth Mackintosh write? A: Josephne Tey
9. As James Hilton he wrote "Goodbye Mr Chips" and "Lost Horizon", which became the film "Shangri-La", but what was the writer's real name? A: Glen Trevor
10. In Simon Raven's "Alms for Oblivion" series, which former army office becomes a successful novelist? A: Fielding Gray

"The Poisoned Chocolates Case" by Anthony Berkeley

The journalist A.B.Cox, who wrote for Punch, the Daily Telegraph and the Sunday Times wrote both as Anthony Berkely and Francis Iles. The latter pseudonym is perhaps better known, one book inspiring the Hitchcock classic Suspicion. As Anthony Berkely, Cox wrote the Roger Sheringham stories, a classic product of the Golden Age of detective writing (Cox was born in 1893, only three years after Agatha Christie).

The Poisoned Chocolates Case has always been one of my favourite of the Sheringham books. It gently satirises the cult of the gentleman detective, each member of his "Crime Circle", a society of amateur sleuths coming up in turn with a different but perfectly plausible explanation of the same facts, and each fingering a different murderer. It is perhaps unique in the genre in featuring a gentleman detective who can actually get it wrong.

Berekeley's books are often more complex than one finds with those of his contemporaries. The morality is often far from clear-cut, with likable murderers and detestable victims. He also plays narrative tricks, such as writing what does not feel like a crime novel at all and suddenly turning it midstream into a murder story. He did incidentally have a very good knowledge of police procedures from his journalistic activities and two of his novels, The Wychford Poisoning Case and The Anatomy of Murder are based on real life cases.

Happily some of his books have now been reprinted, and are also well worth looking out for in second hand bookshops. The Silk Stocking Murders and Murder in the Basement are also on my bookshelves and can be strongly recommended.

"The Boarding House" by William Trevor

William Trevor was born an Irishman, though he has ended up living in Devon. He remains largely unknown to many, despite having won the Whitbread Prize three times and having been nominated for the Booker no less  than five times.

The Boarding House comes as part of a trilogy published by Penguin as Three Early Novels. The others, incidentally, are The Old Boys and The Love Department, but this was my favourite of the three.

The plot is simple. An eccentric old gentleman who owns a boarding house dies, and leaves it to two of the occupants, who hate each other but are now forced to work together. The former owner saw the house not so much as a business but as a zoo, collecting specific specimens of humanity. All have their quirks and sadnesses. All have by some standard or other, failed in life, and are now drifting along in this equivalent of a ship's life-boat.

Trevors' style is almost surreal, particularly his conversation, which at first sounds heavily contrived . It has almost the quality of what we wished we had had the presence of mind to say at the time, rather than what we actually did. This comes across even more strongly in The Old Boys in which a married couple converse as if writing letters to each other. However, while strange initially, this actually grows on you, and certainly it acts as a boost to characterisation. These are, for the most part, quite strange people, and the reader can almost feel as if they are undergoing a voyeuristic experience. Somehow we always seem to end up knowing more about people than we really want to.

Trevor has that indispensable quality of a great novelist, his own voice. He is genuinely "different". He also happens to write very well. So well, in fact, that it must be questionable whether these books from the early 1960s would find a publisher today.

"Fortune's Spear" by Martin Vander Weyer

The history of finance is, alas, replete with incidents of fraud, many of which figure prominently in English literature. One of the best known is probably the episode concerning the (fictional) Providential Reassurance which appears in The White Monkey, part of Galsworthy's series of novels which later became known as The Forsythe Saga. Readers may remember that Soames Forsythe becomes a non-executive director, only to discover grave financial irregularities committed by the general manager, who then flees abroad to escape justice and his creditors.

What is not generally realised is that Galsworthy based his story almost verbatim on the the factual fate a couple of years previously of the City Equitable and its general manager, Gerard Bevan. Literally only the names have been changed.

Fortune's Spear tells Bevan's story. In truth it is not an particularly exceptional one until the financial difficulties begin. Bevan was not a flamboyant, full-on conman like Horatio Bottomley (who ended up as a fellow convict in Maidstone prison) who ran elaborate schemes to raise money from the public, bought and sold newspapers and magazines, drank a pint of champagne every morning for elevenses, was an MP and was even talked about (briefly and chiefly by himself) as a possible Prime Minister. He was one of those low profile figures who beavers away, seemingly efficiently but unremarkably, until one day it emerges that it was all based on smoke and mirrors.

There are inevitable comparisons with Nick Leeson, and the author is not afraid to draw these expressly while seeking out Bevan's motivation for acting as he did. Like Leeson, he went on the run, though one feels with Leeson this was the equivalent of a panicked child hiding behind the sofa, whereas with Bevan it was allegedly an attempt to find eventual sanctuary in South America.

This is a well researched and well written book which will be of interest to anyone with even a passing interest in finance. Distressingly, some of the issues which it raises are still with us. Here, as with Enron, the auditors failed to look far enough behind the bald balance sheet numbers. Here, as with Maxwell, corporate governance entirely failed to control, or even detect, the actions of a dominant rogue director. Here. as with many prosecutions launched by the hapless SFO, people who seem to have been almost as culpable as Bevan were not convicted, and were allowed to go unpunished except by the collateral damage to their reputations.

This is essentially a human story, including Bevan's relationships with his somewhat glacial wife, and with his long term mistress who ended up looking after him after his release from prison. Actually the author misses a trick here, as an interesting parallel might have been drawn with John Stonehouse. However, he scores many points elsewhere. For example, one of Bevan's daughters married a self-styled major from the 12th Lancers who turned out to have been a dishonourably discharged trooper from the Royal Canadian Mounted Police. Evidence surely that daughters really do marry their fathers.

"Cricket at the Crossroads"

Click here for a Guardian / Observer review of "Cricket at the Crossroads".